Cinecittà announces new season “The Wave”, celebrating Italian women filmmakers
CINECITTÀ is pleased to announce the launch of its new film season The Wave, which will celebrate the new wave of female filmmakers working in Italy today.
The season will run from June 15 – 19 at the Ciné Lumière, Kensington, which is also home to Cinecittà’s long-running film festival Cinema Made In Italy.
London audiences will be able to sample a rich and diverse programme where they can revisit or discover the early works from some of the most prolific female Italian filmmakers working today, plus some classics.
Italy has seen a surge in female filmmakers over the past decade and prior to this, the only notable female directors were Liliana Cavani, Lina Wertmuller, and very few others.
This stellar selection of films has been curated by Head of Programming and Exhibition at Ciné Lumière, Diane Gabrysiak who will be hosting the filmmakers from Italy in filmmaker Q&A sessions, offering audiences the chance to engage in lively and thought-provoking discussions.
Opening the season is Chiara Bellosi’s Swing Ride (Calcinculo, 2022), which had its world premiere at this year’s Berlin Film Festival. The film follows Benedetta, an obese fifteen-year-old yearning for attention, who falls in love with a young transvestite, Amanda. The film details a story of intoxication and family rebellion as Benedetta completes her rite of passage into adulthood.
Additional festival highlights include Alice Rohrwacher’s feature directorial debut feature film Heavenly Body (Corpo Celeste, 2011), which observes 13-year-old Marta, who is struggling to adjust to life after relocating from Switzerland to the deep south of Italy.
Marta undergoes the right of confirmation, joining the Catholic Church. As time passes, she begins to challenge the church and for the first time shapes her life on her own terms. The film cemented Rohrwacher as a distinctive young voice in Italian cinema and she has gone on to direct festival favourites Happy As Lazzaro and The Wonders.
Laura Bispuri’s directorial debut feature Sworn Virgin (Vergine Giurata, 2015) stars Alba Rohrwacher as Hana, a woman who escapes her future as a subservient housewife, to live under a male guise as a sworn virgin in an isolated Albanian community. She begins to the resist her current lifestyle and decides to undergo a journey of rediscovery.
Other titles included in the programme are:
Maura Delpero’s heart breaking Maternal (2019), which details the story of three women living in a Catholic refuge in a sensitively realised portrait of motherhood.
Adele Tulli’s Normal (2019) a genre-bending documentary, reflects on how female and male identities are performed in everyday interactions by capturing some of the most intimate moments in people’s lives.
Michela Occhipinti’s Flesh Out(Il Corpo Della Sposa, 2019) tells the story of a modern woman challenging the Mauritanian tradition of arranged marriage
Emma Dante’s A Street in Palermo (Via Castellana Bandiera, 2013) observes the lengths that two women will go after their cars come face to face in a narrow street in Italy. What ensues is a cutting tale of stubbornness, with neither woman willing to back down.
Susanna Nicchiarelli’s Cosmonaut (Cosmonauta, 2009) explores the fractured relationship of two die-hard communist siblings as they follow the progress of the space race in the early sixties.
The programme also includes two classic titles from female filmmakers that paved the way for the filmmakers in our contemporary selection which include:
Lina Wertmüller’s directorial debut The Basilisks (I Basilischi, 1963), which follows the uneventful lives of three men living in an impoverished town in Southern Italy, observing the trappings of their lack of enthusiasm for life.
Elvira Notari’s A Santanotte (1922) explores the relationship between an oppressed young girl, Nanninella and her abusive father.
Finally, as a tribute to actress Monica Vitti, who passed away last February and whose unforgettable starring roles made history in Italian cinema, the programme will include Duck In Orange Sauce (L’anatra all’arancia, 1975) by Luciano Salce, the story of the fallout of a wife asking to leave her husband. Her husband agrees but orchestrates an elaborate plan over their final weekend together which includes his own secretary and his wife’s lover.
The season will also present a selection of short animation films which includes: Sugarlove, Laura Luchetti (2018) Toilets , Laura Luchetti (Bagni, 2016), Live Bait, Susanna Nicchiarelli (Esca Viva, 2012), Thin Dust, Alessandra Boatto, Gloria Cianci, Sofia Zanonato (Polvere Sottile, 2018), New Neighbours, Sara Burgio, Andrea Mannino, Giacomo Rinaldi (2018), Merlot, Marta Gennari, Giulia Martinelli, (2015), Cosmoetico, Martina Scarpelli (2015), What Ever Happened To Darwin?, Leonardo Altieri, Sara Crippa, Giulia Manna, Maria Nocerino (2019)
The Wave is organised by Cinecittà with the support of the Italian Cultural Institute in London.
Cinecittà is the state-owned company whose main shareholder is the Italian Ministry of Culture. It holds one of the most important European film and photographic Archive, Istituto Luce, inscribed by UNESCO in the registry “Memory of the World”. Since July 2017, Cinecittà has been also managing the legendary Cinecittà Studios (founded in 1937), where Federico Fellini’s films have been filmed.
Their institutional work includes the promotion of Italian cinema, through projects presented in collaboration with the most relevant cultural institutions of the world: the Academy of Motion Pictures, Arts and Sciences, MoMA, British Film Institute, Institut Français, Cinémathèque Française and many others.
Cinecittà cooperates with major film festivals such as Cannes, Berlin, Toronto, Shanghai, Tokyo, Locarno, New York, London, Haifa and many others, by organizing national selections, guaranteeing the presence of Italian films and artists, and providing multifunctional spaces to help the promotion of our cinematography.
It is also involved with the direct organisation of numerous Film Festivals around the world: The Italian Film Festival in Tokyo, Open Roads – New Italian Cinema in New York, The Festival of Italian Cinema in Barcelona, London and many others.
The company also owns a film library with around 3000 titles subtitled in foreign languages for the promotion of the Italian culture at major Institutes around the world, also in collaboration with the Italian Ministry of Foreign Affairs. Restorations and new prints are added every year.
